Chapter 7

The Madonna of Flow(er)ing Lib(er)ations.

 

 
 

Then suddenly the music started. I knew the song immediately: The Doors, LA WOMAN.

I turned to regard its source. There was a stage at the side of the room.

The curtains parted and she appeared  in basic black looking like some mystic cross between a leather- licked English spy from some James Bond film and an underground poster queen for Fetish Wear Daily. Everything changed around her so suddenly that I understood the miracle of the loaves and fishes. There is no mere slight of hand when it comes to transubstantiation.  Reality refolds itself. Charisma tilts the tables of physical reality as violently as Jesus in the temple.   

This dancing woman radically and profoundly transformed the molecules  around her with the sheer force of her personal magnetism. Her will charged  ions positive or something, but things started happening very quickly once she started dancing. This spinning twirling glistening woman was both the sacred heart and the burning bush of this particular block of the Hollywood Cosmic Boulevard, the Madonna of Flow(er)ing Lib(er)ations. And I understood profoundly why these people came here for this salvation. She was radiating light in long shimmering strands of gossamer umbilicus that fanned out touching all around the room. The broken faces of the crowd were now bright and shinning, whole in the moment. All was fluffy laughter and tinkling cheers. And everyone seemed to be flowing into their own best groove because she was dancing. I knew her name because it bubbled up from the crowd in an aural effervescence, lifted up like Aphrodite frothing from the waves.  Her name, the whispered mantra of the moment, Diana.

She moved across the stage like a large feline, the visible smoothness of her skin rippling with the undercurrent of her taut muscles. Her dance was something else beyond description, really beyond words. The curve of her hips splined time.

I believe that everyone in the room was imagining being with her. 

Surely every eye was upon her as she unwound and even I imagined our bodies intertwined upon the sands of some sparkling ethereal moonlit shore.  In my vision,  in that liquid moment, I could feel her breathe on my lips, the heat from her body pouring from her.

And as my eyes circled the room to take it all in, see the effect that she was having on the others, my vision fell at last upon the two men seated beside me. The looks of similar beatitude upon their visages made them appear like brothers. Still locked in their ridged embrace they seemed fused into one apostolic being.

If I had left that moment no one would have seen me go. I was invisible. I contemplated the door and its relative distance from my feet. If I started walking I could end up anywhere. I looked back up at Diana and saw with soul searingly clarity that she was looking right into my eyes, at me. Her eyes double-funneled and telescoped me into her matrix and we were floating together in the clouds in a wide vast brilliant sky.

And then it was over and there was a moment of silence. People clapped. Her remarkable transformation still hung in the air after her. Laughter. Clinking, tinkling.

A waitress came over to the table and Jimmy ordered four Corona's. I was wondering who the fourth Corona was for when Diane walked up to the table smiling.

She extended her hand to me and introduced herself. Hello, I am Diana and I took her hand in mine and said, call me Cora. She smiled even wider. Her eyes met mine and held them softly for a couple heartbeats and then her gaze turned to James. And he looked at her with a heart that was so wide open that  you could see starlight. She lifted her hand to his hair and ran her fingers through it slowly.

"Your hair has bleached out in the sun, Jimmy. It looks nice."

And he tilted his head just a bit and pressed the side of his head into her hand the way a cat would. I had not seen this tenderness in him  before. I looked to Creeper to see what he was seeing and I shuddered at the pits that were now his eyes. Like the black holes of Astronomy, his eyes were sucking in all light and shadows seems to be darkening in sheets under his lids.

Just then the music came on again and it was another woman dancing now, the usual grind, and it was easy to see that there was only one Diana. And she sat down there beside us.

Diane took the Corona to her mouth and her lips wrapped easily around the head of it and she looked around at each of us as she took one long draught. She lifted her feet and placed them into James lap, where he immediately took off her shoes and started to massage her feet. Then she lay her right hand in Creeper's lap. She looked over at me and smiled. Some women might have felt a wave of jealousy at this point and perhaps there is some basic flaw in my character that all I could feel was fascination for what was going to happen next.

James, said, "It sure is really good to see you, Diana."

And she just smiled and asked, "Where have you been?"

James said, "I was out of town on business."

Creeper laughed and Diana nodded and smiled.

James turned to Creeper and stated out rightly, "So John, what about all that money you owe me?"

Creeper (although from that moment on I could only think of him as John) smiled, "Are you in need of some money, Jimmy?"

"I just want what is mine," said James.

"Jimmy, that is so what we all want that it hurts, doesn't it?" and as Creeper ne John laughed and laughed  the air around him seemed to thicken and darken.

I looked over into Diana's eyes to see the effect this tension  was having on her. She was wearing an expression that was so void of all connection to this world that it was hard to believe that a human face could hold the complexity of expressions that wafted across her face. Then I saw her eyes turn slowly toward me as she must have felt my eyes on her. For just a moment, before her eyes refocused back to this world, I saw a look of something so ancient and alien in her eyes that a rivulet of fear splintered  through me like fractured glass.  

 

Chapter 8 (coming soon)

 

 

 

 
 
 Copyright 1996 Cora Sand is a nom de plume of Victoria Vaughn-Perling